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Change from this | ||||
To This | ||||
Relink to the volume that the raw .r3d files are on. Go to >Tools>Source Browser | ||||
Locate the original Native Pro Res .movs QuickTimes | ||||
Use the settings "Bins Based on Current AMA Setting" | ||||
When ready to online reconnect to the native camera files. | ||||
Right click the sequence to relink and choose Relink | ||||
Use the standard relinking options after the AMA media has been mounted | ||||
If that doesn't work choose | ||||
Change the timeline Clip Color to show AMA clips as a different color so you can make sure you are linked to the "Native" ProRes .mov QuickTimes | ||||
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Notice in this timeline only part of the clips turned purple. You should have the entire timeline show purple clips so that you know all the clips are relinked. | ||||
On AVID timeline, you can -Match Frame>Find Bin>Reveal File to double check the files are relinking back to the original camera native files |
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Next go to >File>Output>Export to File> | ||||
Export as .aaf |
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Choose where to save the .aaf and title it keeping the .aaf extension. Don't worry what the Export Settings Drop down states. We set the "Options" correctly |
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The export when finished will look like this |
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Deliver this folder and the DNxHD quicktime to the colorist or if you are color grading your own project import the .aaf into resolve. |
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