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This likely means the remaining seats are reserved for certain students who need to take it in order to graduate in a timely manner. You’re welcome to add yourself to the waitlist, if available. For instructions on how to add to a waitlist, please refer to the Wiki page: Registration & Waitlist Examples.
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T D 309K MUSICAL THTR STAGE/SCREEN
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T D 314P Production Laboratory / T D 314Q Production Shop / T D 324P Advanced Production Laboratory
See Production Lab Wiki.
T D 323F ACTING SHAKESPEARE DORN, FRANCHELLE
(Restricted to BFA Acting majors) Non-BFA Acting majors may enroll in T D 353T.
T D 352T Ballet II Riley, Magdalena CANCELED
Please contact instructor for course description.
No Instructor Consent Required.
T D 352T FLOOR BARRE Meador, Rachel
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Through independent and collaborative physical research, readings, and discussion, we will examine the formation and performance of self as a creative tool for worldmaking in daily life and onstage; research the ways that self and world are co-created and relational; and examine self formation, perception, and embodiment as critical factors in reimagining what constitutes activism and ethical action in a distracted, disembodied world.
Instructor Consent Required.
T D 353C DEVISED WORK LYNN, KIRK
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Continued learning of advanced vocal skills to enhance performance and character development in Musical Theatre and Contemporary Commercial Music.
PrerequisitesPREREQUISITE: upper-division students. Students should have some facility with voice/have studied or been involved in choral/musical theatre, have taken TD 353T Singing in Musical Theatre, or have approval of the Professor.
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No Instructor Consent Required.
T D 353T INTRO TO CREATE NEW MEDIA CUDDMEDIA CUDD, JEREMY CANCELED
To introduce students to strategies to grow as generative artists and to help them master the basics of a few common media production tools to give their creative voice a broader reach in the world.
Major Topics: Image and Editing Grammar, Basic Legal Considerations, Film Acting BasicsPre-production Basics – Story, Vision, Planning, Working with available resourcesProduction Basics – Camera & Sound, Organization of LaborPost-Production Basics – Editing Software, Compression
(For non-BFA Acting majors)No Instructor Consent Required.
T D 353T ON SET PRACTICUM ALLEN, COREY
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Please contact instructor for course description.
Instructor Consent Required.
T D 354T FESTIVAL AND EVENT MANAGEMENT CLOYES, RUSTY
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This class is structured around the practical aspects of how-to production design your own script. Students will learn how to develop a design from conceptualization to execution based on the needs of your particular story. The students will learn how to approach and find creative ways to deliver a design that will contribute to the creation of an effective visual design. We will be covering budgeting, breakdowns, creating specific graphics, drafting, clearances and basics of set construction.
PREREQUISTEPREREQUISITE: This class is open to all the students that have some previous experience in film or narrative production. Each student must have a script that they want to develop for this class.
No Instructor Consent Required.
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This the second of a two-semester sequential topics course devoted to period Men's Tailoring. The calendar for this course is designed to lead the student through a sequential series of creative technical exercises carefully delivered to assist you in the creation of a 3-piece men’s suit. Students learn to tailor a complete 3-piece suit using classic tailoring techniques.
Instructor Consent Required.
T D 357D DRAMATURGY DARLINGTON, MADGE Canceled
Dramaturgy is a course for actors, directors, designers, educators, playwrights, and dramaturgs interested in deepening their artistic work. This course aims to give undergraduate students a background in the theory and practice of dramaturgy. After exploring the history of the dramaturg, we will focus on the many aspects of a dramaturg’s job, including the responsibilities of a production dramaturg, new play dramaturg, and literary associate. Students will analyze plays from a dramaturgical perspective through written assignments that deepen critical thinking skills. They will then apply their knowledge to a production in the New Works Festival by conducting research and creating a production casebook. We will also consider how dramaturgy can help us understand public culture and manipulate public response.
No Instructor Consent Required.
T D 357T ADAPTATIONS IN THEATRE DANCE DARLINGTON, MADGE
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Comprehensive introduction to research in the area of theatre and dance.
PrerequisitePREREQUISITE: Upper-division standing; admission to the Honors Program in Theatre and Dance; and consent of the head of the Theatre and Dance Honors Program.
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