DaVinci Resolve to AVID - How to make AVID Project and .mxf MediaFiles
Use this workflow to transcode or convert Blackmagic Cinema DMG, XAVC, XAVC s, and XAVC HD footage shot with the Alexa MINI, Sony A7s, and A7r, Sony FDR-AX100 and other prosumer cameras
Launch Resolve Application | |
Click the "New Project" button in the lower left corner to create a new project | |
Title the project – click Create | |
Double click the project to load it | |
Next load your media into the media pool> | |
Create a Timeline | |
Go to >File>New Timeline | |
Name it | |
Select all the files in the Media Pool that you want to use | |
Add a LUT to them or not. To add a LUT right click on the clip or clips. | |
Popular LUT to use is the 3D LUT > Arri > Arri Alexa LogC to Rec709 | |
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The go to the Deliver tab | |
Choose to Render the Entire Timeline | |
Click on Render Settings> and use the slider to navigate to the AVID AAF tab | |
Click on Browse to select the hard drive and folder you want to render to | |
Navigate to the hard drive and you can choose to Add a new folder if needed | |
Name your new folder and click OK | |
Make sure you select the newly created folder and click OK | |
Choose Video Format MXF OP-Atom Codec DNxHD 1080p 36 8-bit if you are doing a offline or proxy version of the media. | |
If you don't want to return to resolve and do an "Online and or Conform" then choose a codec that you can deliver for screening and distribution. Choose Video Format MXF OP-Atom Codec DNxHD 1080p 220/185/175 10-bit | |
Click on the Audio tab Check the box for "Export Audio" if you want to export Audio Do NOT choose "Same As Source" for the Channels drop down. (your audio will come out as static)Make sure to choose 2 for the Channels drop down. Codec = Linear PCM Channels = 2 Bit Depth = 16 or 24 Tracks = One per channel | |
Click on Add to Render Queue | |
Choose to Start Render once the Job has been added to the Render Queue | |
Job has completed. The files need to be added to AVID MediFiles Folder Quit Resolve>Save the project. Make a backup of the project and save it for the final color correction and conform. See this workflow for making a backup. DaVinci Resolve - How to Relink Offline Media from a Exported Project | |
In Finder on the Mac Copy or Move the .mxf files to the AVID MediaFiles>MXF>1 folder This is so AVID can see the files when the .aaf file is imported. | |
TO COPY FILES OVER TO SHARED STORAGE LIKE EditShare or AVID ISIS Servers use this workflow | /wiki/spaces/comm/pages/33424518 |
Once the files are copied over Launch AVID | |
Make a new AVID Project or use an Existing one | |
Make a New Bin | |
Title the new bin "My XAVC Transcoded Footage" | |
Go to >File>Import | |
Navigate to the .aaf file in the Resolve exported media folder and select it. | |
The clips and the timeline will import into AVID. They should be linked to the transcoded media. Edit the files in AVID developing a picture locked sequence that you can then export out of AVID back into Resolve. |
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